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refreshed by its absence
and more sustained
but The Wire magazine started calling what we did ‘Forest folk’
Did they bring any particular ideas or interpretations to the work during the rehearsal process
Therefore I end up treating them like found objects and arranging and positioning them in very different contexts from what their possible historical resonance might suggest
Jürg Frey Ostrava New Orchestra refreshed by its absence1. The sound never has walls (2023 2024) 19: 42 Renata Rakov, clarinet Ian Mikyska, electric guitar Milan Krnk Jake, violin Luan Gonalves, double bass 2. Fleetingness (2024) 12: 33 asamisimasa: Morten Barrikmo, bass clarinet Tanja Orning, cello Anders Frisdal, electric guitar Hkon Stene, percussion Prague Quiet Music Collective: Renata Rakov, clarinet Ian Mikyska, electric guitar Milan Krnk Jake, violin Luan Gonalves, double bass 3. Longing Landscape
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